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STRUCTURALISM || LITERARY THEORY



                             

"Literature' is system, or structure, whose constituent parts include the poem, the essay, the novel and drama. In this structure called literature each form (or unit) generates meaning in particular way. Expanding this notion, we see that literature is one system within a larger system of representation of culture. The system of culture includes other non-literary forms such as cinema, reportage, television, political speeches, myths, and traditions. ‘Culture’ is a structure where these various forms exist in relation with each other. Meaning is generated when we understand the rules by which myth, literary texts and social behaviour are linked to each other.

Structuralism is interested in the relationship between the elements of a structure that results in meaning. Since it believes that meaning is the effect of the coming together of elements, it follows that if we understand the rules governing the relationship between elements we can explain the processes of meaning-production. A pithy summary of structuralist literary criticism is proved by Jonathan Culler in his book on Barthes in which he says that structuralism
          1. is an attempt to describe the language of literature in linguistic terms so as to capture the distinctiveness of literary structures,
            2. is the development of a 'narratology' that identifies the constituents of a narrative and their various combinations,
            3. Is an attempt to show how literary meaning depends upon the codes produced by prior discourses of a culture,
Structuralism emerged as the most rigorous form of critical analysis in the 1950s. However, its origins lay further back, in the work of early twentieth century linguist, Ferdinand de Saussure.
Ferdinand de Saussure's 1915 work, A Course in General Linguistics, proposed that language was a system in which various components existed in relation to each other .It is not enough to see how words acquire meaning over time. We need to see how words mean within period and as part of a general system of language. Saussure makes three significant moves in his analysis of language. First of all, he divides language into two main components
    1. The set of rules by which we combine words into sentences, use certain words in certain ways, rules which are rarely altered and which all users of a language follow. This he termed langue.
    2. Everyday speech where we use words in particular contexts. This he called parole.
If langue is the system of rules and conventions that govern how we use words and meanings, then parole is context. In most cases we are not aware of the langue component; we use the system of conventions by habit, and are not always alert to the large structure of language in everyday use. Parole, therefore, is live language.
       Then, in his second move, Saussure proposes a relational theory of language where
1.   ‘Words' existed in relation to other words and

              2. The meaning of each word was dependent upon the meaning of other words. Thus, meaning was the result of being able to recognize the difference between words 'cat' is "cat' because is not bat or 'hat'. It is different in terms of the sound produced and the way in which it written. We work with binary or paired oppositions to make sense of words and sound speech. "Cat', 'bat', and ‘hat’ are all words in the system of language: they are related to each because they belong to same system, and because they make sense only in being different from each other.
  Finally, we have Saussure’s third moves. Saussure suggests that words and      their meaning are not ‘natural’ but created through repeated use and convention. The word’ cat’ does not naturally refer to a four-legged furry animal of a particular kind with particular habits. The pronunciation or the writing of the word does not invoke the animal. We have come to associate the name or word 'cat' to the animal thorough long use. There is no real relationship between the word and its meaning. Meaning is attributed through its use by a community of language-users. The animal 'cat' does not declare its ‘catness’; we attribute the ‘catness’ to it by giving it a name. The cat might very well see itself as man' or 'tiger', But humans have given the name 'cat' to it, whatever the cat may think of itself. The word (or signifier') is connected to the meaning or concept (the 'signified') in a popularly arbitrary relationship. Together the signifier and signified constitute a sign
                         Signifier
         Sign        
                      Signified
For Saussure, Words are signs that enable us to understand the concept or the object. Words are like a form of transport that takes us to understand the concept or the object. They help us create the concept in our mind
Saussure’s move is apparently very simple, but its consequences are far-reaching. He was undermining the very notion of language by proposing the relationship between word and meaning as arbitrary. The structure of the language ensure that when we use words, however there meaning might be, we register certain differences and makes sense of them. Thus, even though the term “cats” only arbitrary connected to the animal, we still make sense of it because it is different from other words that are equally arbitrary in their relationship with things.





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